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The Guide was an astonishing editing achievement, brought about through a global carnival of a project that reached contributors of every kind. Their diversity, as Lorna draws attention to in her preface, gave the style '... a special liveliness and concision... They themselves also convey something of the diversity of the contemporary scene. They include distinguished writers of fiction, poetry and drama, alongside writers at the beginnings of their careers, graduate researchers and well-known academic critics and scholars, freelances of all kinds, and literary journalists'. '&#13;
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                <text>'Lorna was a great admirer of the artist Paula Rego, and the cover of this book as well as that of the Cambridge Guide to Women's Writing in English both feature images requested specifically by Lorna. &#13;
She outlines her intent in the preface to her essays on women novelists: 'I've tried not to travesty the achievements of these writers by reducing them to sameness; or by making them all symbolise some amorphous 'difference'... There's no way of placing the woman novelist - or even of displacing her... However, they do have this in common: they pour back into the novel conviction, mockery and partisan passion'. '&#13;
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